Felipe Pereda, ‘Vox populi: Carnal blood, spiritual milk, and the debate surrounding the Immaculate conception, ca. 1600’, Medieval Encounters 24:1-3 (2018): 286-334;

Carmen Fracchia, ‘The fall into oblivion of the works of the slave painter Juan de Pareja’, Art in Translation 4:2 (2012): 163-184;

Rebecca Earle, ‘The pleasures of taxonomy: Casta paintings, classification and colonialism’, William & Mary Quarterly 73:3 (2016): 427-466.