The Rise and Fall of Confederate Monuments: Memory and the American Civil War
In the summer of 2020 following the brutal police murder of George Floyd, debates about the place of the Confederate symbols erupted across the US. Calls for Confederate monuments to be razed followed as did cries for street names or schools bearing Confederate names to be changed. Since that summer more than 120 Confederate monuments had been removed, including those in Charlottesville, home of the University of Virginia. But why does the American Civil War continue to elicit such reactions – some intensely violent – more than a century and a half after its close? In this lecture, Caroline Janney will examine the long history of Civil War memory – of the efforts by Union and Confederate veterans alongside their respective civilians to both remember and forget aspects of the war in the late 19th and early 20th centuries.

Caroline E. Janney is the John L. Nau III Professor of the American Civil War and Director of the John L. Nau Center for Civil War History at the University of Virginia. She is the past president of the Society of Civil War Historians and a series editor for the University of North Carolina Press’s Civil War America series. She has published eight books, including Remembering the Civil War: Reunion and the Limits of Reconciliation (2013) and Ends of War: The Unfinished Fight of Lee’s Army after Appomattox (2021), winner of the 2022 Lincoln Prize.
Date: 3 June 2024, 17:00 (Monday, 7th week, Trinity 2024)
Venue: Rothermere American Institute, 1A South Parks Road OX1 3UB
Venue Details: Main Seminar Room
Speaker: Professor Caroline Janney (University of Virginia)
Organising department: Rothermere American Institute
Organisers: Elizabeth R. Varon (University of Virginia), Chair: Adam Smith (Oxford)
Organiser contact email address: events@rai.ox.ac.uk
Booking required?: Not required
Booking url: https://www.rai.ox.ac.uk/event/rise-and-fall-confederate-monuments-memory-and-american-civil-war
Booking email: events@rai.ox.ac.uk
Audience: Public
Editor: Hannah Greiving